"Cultural Press" number 242 was published in the newspaper "Free Press"

Front page of "Cultural Press" issue 242

CULTURAL SEAL number 242, in the printed edition of the newspaper "Free Press" (10-11.8.2024), in its standard format of eight pages among the contents in the field of art and cultural events has:

– an interview with the film author Karpo Godina, whose three films will be screened on the 15th. MakeDox: "Black wave" was a derogatory term for our films at the time

- conversation with Juliana Velichkovska, program director of "Poetry Night in Velestovo": Poetry is the most powerful connective tissue between arts and cultures

- reflection on the collective cultural memory is the focus of the jubilee 35th Art Colony in Galicnik

– the exhibition "Ecce Homo Macedonicus! The eighth wonder of the world" by the sculptor Zharko Basheski will be opened on August 12 in the "House of Urania" - MANU in Ohrid

- the "Ladislav Barisic" award of AIKA Macedonia was awarded to a research project by Ilija Prokopiev

- the poetry prize "Brothers Miladinovci" of SVP 2024 was awarded to the poetess Katica Kjulavkova for the collection of poems "The sky is my home" (spiritual poetry)

- The National Jazz Orchestra with guest Vasil Hadzimanov will hold a concert on August 11 at the Dolni Saraj stage in Ohrid

- the duo drama "Candy" directed by Tamara Stojanoska participates in the "Nishville" festival in Serbia

- the music platform "PMG Dance Digital" marks five years of existence

- a book of plays by the famous Polish playwright and prose writer Slawomir Mrozek was published in the edition of "Perun Artis".

- the Slovenian publishing house "Tsankarjeva" published the novel "Edinstven matenic nom" by Lidija Dimkovska, translated into Slovenian by Aleš Mustar

- these days, the poetry book "Procsvet" by the poetess Cvetanka Nevcheva, published by "Data pesnopoj" from Bitola, was published

- "Makedonika litera" published the latest novel for children by Kiro Donev "Diary from the Stork's Nest", with illustrations by Slavica Kupenkova and a foreword by Atso Gjorgiev.

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